Portrayal of Guilt and Retribution Essay Example | Topics and Well Written Essays - 2250 words

Portrayal of Guilt and payment - Essay ExampleFantastic elements are added and metaphorically situated within the two stories to stray out-of-door from the moxie of what is practical or what is practically considered to be right and the abundance of barbarian depictions, therefore, creating a dispute between the self and the society - thus drawing the connection with the Kantian philosophy of the State, justice and deterrent example spirit of man. Kant introduced the idea of Categorical Imperative1 and that morality is fundamentally a priori in nature and therefore it claims that ones moral choices are incessantly good as it is grounded in Reason and it is never a matter of choice or personal taste and it world(a)ly seeks to be good and is a faithfulness in itself. Thus the moral a priori truth that it holds all of us under the same universal law of good and bad becomes the apparatus of perception by which we define our acts and how we view guilt and revenge without regar d to the relative context from which such immoral acts emerge. Thus, Michael Koolhaas guilt exists even when he knows that he acted against a misconduct committed against him, who is the actual criminal. This case of denial of justice does not necessarily redeem Kohlhaans from his acts of wrongdoing and even he knows it. This classic idea of moral retribution can be further explained by the idea of morality and duty as proposed by Kant. Does the fantastic elements plan to make water the effect of the sense of extreme (arousing the sense of impropriety within the reader itself, who otherwise would sympathize with Koolhaas) and monstrous betrayal, absurd goal of revenge taken, heavy assortment of passion and desire, and the complicated motifs of human actions that do not necessarily always have simple and reasonable explanations to them - the complicacy of the human mind, therefore, becomes the subject of this novella where the fight with morality is better pictured by the use of s uch fantastic metaphors and symbols or events. Or does the over-explanations used to play truth becomes fantastic to us Does the restless energy of Kohlhaans immoral acts and the restless energy that consume the plot of the story create a revenge that is so emphatic and complete that it almost creates a sense of improbability within us Or does the emphasis on Marquis innocence (supported by the bizarre reason of the Count being the father of her child) create a feeling of disbelief within us or our suspension of disbelief like that of the Colonel is but justified by the fantastic elements that invade the storytelling A plot that emerges out of the consequences of the given situation totally in Marquise Von O makes the story border on the fantastic Gothic elements that disregard the front line of the universal morality but rather portrays the subterranean forces of human immorality that are fantastically co-existent within us and how we are still capable of dealing with such truth s too